marți, 20 noiembrie 2012

porcuror prost si periculos pentru cetateni


Cetateanul Ceban indignat de dreptatea pe care i-o face procurorii a adresat o plangere Procurorului General ,V.Zubco unde intenttionat sau neintentionat a folosit in plangere cuvantul ,,porcuror,,.Faptul ca, in prezent acest cetatean este cercetat contraventional pentru acest cuvant de catre procurori ,e mai important si nu pot sa-mi inchipui ca anume ce-i care urmareste cum se aplica Legea in RM ,din prostie si necunostinta de Lege sau abuziuv foloseste Legea pentru a persecuta un cetatean inconvenabil care are dreptul garantatat de Legea fundamentala *Constitutie sa-i supuie criticii.Nu-mi vine a crede ca procurorii RM pot calca pe asa ,,grebla,, !
De n-ar avea in mare parte cetateanul Ceban in acest caz.I-mi pare rau ca ar trebui s-a sufere si procurorii onesti in urma unor procurori corupti.Aici i-mi cer si scuzele de rigoare in fata procurorilor onesti.Nu pot sa-i inteleg pe procurorii care nu au coloana vertebrala si care tac ca s-a mentie in functie  fiindca are familie si copii…Va aduc aminte ca anume politistii tortionari din aprilie 2009 au fost de competenta procurorilor militari.De ultimii a depins s-a ajunga pedepsiti  tortionarii  si cine a ajuns pedepsit pentru tortura tinerilor in urma evenimentelor din aprilie 2009 ?

PS. * i-mi rezervez si-mi apar dreptul de autor a fenomenului ,,porcuror,, si voi insista sa fie introdus in DEX ca cuvant,notiune si fenomen…

sâmbătă, 17 noiembrie 2012

Macsorro

http://macsorro.blogspot.com/2012/05/pig-boy-back-in-game.html

a pic by John Ashcraft

Pop art from Antonelli College in Cincinnati Ohio.

Marion Peck

Divine Swine Oil on panel, 2004

http://www.marionpeck.com/

Carollyne Yardley Omnimedia


http://www.carollyne.com

Keith Haring

CAC show of Pop Art icon Keith Haring’s early work is a revelation

http://www.citybeat.com/cincinnati/article-22806-you-dont-know-keith.html

Leo Sewell



http://www.youtube.com/watch?v=6de5CGzndRk

whitsteen

http://whitsteen.deviantart.com/

vineri, 16 noiembrie 2012

FC Sillar, RM Meyler and Oliver Holt

The Symbolic Pig - An Anthology of Pigs in Literature and Art

(1961)

Illustrated by Oliver Holt. An exploration of pigs celebrated in print and paint.

vineri, 9 noiembrie 2012

duminică, 4 noiembrie 2012

http://www.brycemuir.com/New%20Layout/LayoutPix/Portraits/Yokels.html

David manages the Recycling Barn, and has been a pig farmer –– among other fragrant pursuits. This portrait was payback for an especially tasty exchange we indulged in.

http://smutnemisie.blogspot.com/2012/10/pluszowy-maz.html

Trzeci z cyklu "Pluszowy mąż"
 
 "Świnia, nie mąż"

olej 80/80cm, 1012
kostium z "Pig in a poke";)

David LaChapelle
Auguries of Innocence
Tony Shafrazi Gallery
544 West 26th Street
New York, NY 10001
212 274 9300
http://www.tonyshafrazigallery.com
    With its over the top, kitsch notions of  Holy War it is difficult to get a handle on the recent exhibition "Auguries of Innocence" by David LaChapelle (born March 11, 1963) at the Tony Shafrazi Gallery in Chelsea. First you have to catch your breath after the steep second floor walk up. Then get oriented to several spacious galleries shock a block with enormous, cut out color photographs creating a tableau of narrative images.
           The first impression is that the life sized panoramas resemble the lobby advertisements of a movie palace. The work seems to be promoting some kind of spectacle or event. The flat, free standing elements create a theatrical space. They could serve as the diagram for a stage or movie set.
            The aggressive stance of the exhibition, and its media saturated delivery, makes one wonder why we are encountering this in an art gallery? In that context just what is the intended audience and in what sense is this art? Is the product on view destined for the homes of collectors and eventually the galleries of museums?
                Of course, these are not unique issues or conundrums. There are ready paradigms for this approach. There is the absurdist, sexually charged, proto pop of Jeff Koons or Matthew Barney. Those comparisons deflate the sense of originality or outrageousness of the  LaChapelle project. In the familiar dialogue of the Shock of the New each new generation, or individual artist, building on and extending what came previously is mandated to up the voltage. It takes every greater increments of energy to evoke the same results.
             A consideration of this work reveals that formidable resources went into its production. It evokes the notion that the artist has reached a  level of success to be able to create expensive work with high production values. It would  take a large cast of models, costumes, set designers, gaffers, lighting crews, and grips to set up the shoot. To say nothing of all the post production editing, printing and construction.
              Of course, for the movie industry, such a project is small beer; but over the top for the art world. At least for artists who have not reached the highest levels of the field where a new body of work entails millions of dollars in fabrication, staff, and front money. This is the norm for artists like Koons and Barney or Damien Hirst.  David LaCapelle aspires to swim in the same tank with the other sharks of the art world..
                  Prior to the exhibition I had never heard of this artist. Indeed, do I really want to know? While spectacular and wiggy on first exposure, or at least engaging and amusing in its degeneracy, is there a really compelling reason to discuss this work? Well, not really. LaChapelle is hardly a topic for a future dinner party. It would take too much time and energy to bring my friends up to speed with the basics of the dialogue. Or even make a case for why it is interesting or worthy of conversation. This is work that is site specific to high rolling circles in New York, Vegas, Miami, or LA but makes little or no sense in the heartland.
              Like a lot of new and outrageous work it is destined for the dust bin of memory. The half life of the shock of the new grows ever shorter. LaChapelle is hardly original or even insightful in recycling the familiar signifiers from blood smeared combatants in Holy War to a central casting Jesus tending to all too real sheep. If you look carefully you will find the gold painted pigs fornicating; a pig in a poke. Or the usual nubile, nude babes and guys with remarkable johnsons. Ho hum.
                It appears that the artist got his big break at Studio 54 where Andy Warhol invited the scantily clad busboy to shoot for Interview. This led to gigs for Rolling Stone, Vanity Fair, GQ, and Vogue. He went on to direct Elton John's show The Red Piano in Vegas at Caesar's Palace. He has done music videos with Madonna and other tops of the pops artists. He has published four books "LaChapelle Land" (1996) "Hotel LaChapelle" (1999) "Artists and Prostitutes" (2006) and "Heaven to Hell" (2006). He has won numerous awards at the Telluride, Sundance, and Aspen Film Festivals.

               Walking around Chelsea we encountered billboards advertising the exhibition. This is unusual, but not unprecedented, in the art world. It underscored the level of hype for the artist and his work. It served as a kind of bench mark for the absurdity of excess that indicates an art world driven by glamour and greed. LaChapelle is a Neo Babylonian and academician of the crass. The real notion here is why bother. As we slip into a state of social and economic oblivion will this work take on the aura of a Biblical epic? Do these works represent the handwriting on the wall? Do they illustrate everything that is wrong about our decadent conumer culture? Is it all just a big joke and do we laugh with or at Mr. LaChapelle?  Or, have we missed the point, again?
A pig goes into the Western Union. It goes up to the counter, picks up a slip, runs over to the table, grabs a pen in its mouth and starts writing.
After a couple of minutes, it picks up the slip and takes it back to the clerk at the counter.
The clerk picks it up, reads it, “Oink, oink, oink, oink, oink, oink, oink, stop.”
He looks at the pig, and says, “You know, you get 10 words for $3.50. You could add three more words to this.”
The pig looks at the clerk and says, “Well, I could, but it wouldn’t make much SENSE THEN, would it!”

http://mtsweat.com/2012/08/14/a-pig-in-a-poke/

Ryan Tubridy


The cringe-inducing blunder that occurred during the live final of Australia's Next Top Model reminded us of other presenters closer to home who were left red-faced after a botched winner's announcement on live tv...Ryan chats to 2FM DJ Damien Farrelly who relives his Celebrity Jigs and Reels moment in the spotlight when presenter Marty Whelan mistakenly told him he'd won! Also, presenter Derek Mooney tells of his live television disaster when he announced the wrong winner of Fame: The Musical.

Our politicians have been bandying about the analogy of a 'pig in a poke' the last few days - and quite frankly, we've no idea what it means or where it came from!?? Cue our knowledgeable listeners to the rescue, who inform us that a pig in a poke refers back to when people would buy calves in bags at markets. Unscrupulous dealers would put pigs in the bags thereby pulling the wool over the eyes of the purchaser, who would only find out on getting the animal home that they'd been sold a cheap pig in a poke and not a more expensive and useful calf!

Dave Sherry tells us of his discomfort when in the presence of couples who talk baby talk to each other - and another pet peeve - older women wearing childish pyjamas!

Pat O'Mahony joins Ryan in studio to talk about his Richard Nixon documentary which will air on Radio 1 this Saturday October 2nd at 6.05pm. Pat recalls Nixon's visit to Ireland back in October 1970 - 40 years ago next week.

Nob Nation - One from the archives - The News at One: NAMA / RTE shares take a dive on the FTSE, Anglo get an 8 million bail-out and Seanie Fitz steps out for a game of golf...

A few years ago, many people would have died rather than go to a pawnbroker - but that was then, and this is now. Mortgages are high, jobs thin on the ground and money is scarce. Pawnbrokers are seeing people from all walks of life coming through their doors. Pawnbroker Frank Cronin chats to Ryan about how the business works, how they value items and what people are bringing in to the pawn shops these days.

Our ole pal Shane O'Donoghue gives us the gossip from the green at the Ryder Cup in Wales.

http://2fm.rte.ie/blogs/tubridy/2010/09/